The Olympus E-500 is an 8 megapixel Digital SLR, to compete in the sub-$1000 market. It features Olympus’ own TruePic TURBO™ to enhance camera performance and picture quality. One of the neatest things on this camera is Olympus’ exclusive Supersonic Wave Filter™. This technology actually vibrates dust off the lens, to help keep your pictures dust & spot free. Fantastic.
Olympus E-500 Press Release :

The Only 100% Digital SLR to Combine Exclusive Dust Reduction System, 8-Megapixel Imaging Sensor, and a 2.5-Inch LCD in a Compact, Lightweight Body

Melville, New York, September 26, 2005 – Olympus proudly introduces the new EVOLT E-500, the most full-featured digital SLR camera in its class of sub-$1000.00 SLR cameras. Designed to be used by all photographers of any skill level, the E-500’s compact and durable body is packed with Olym pus innovations like the exclusive Dust Reduction System for spot-free photos, 8 million pixels of detail for bright and colorful images, a TruePic TURBO Image Processor for fast response time, and an oversized, easy-to-view 2.5-inch HyperCrystal LCD. Compatible with a wide range of Olympus Zuiko Digital Specific Lenses™, the E-500 delivers the versatility and power that are the hallmarks of a performance SLR, but at an affordable price.

Exclusive Dust Free Technology for Spot-Free Photos
Dust is all around us, and when swapping out a lens on a digital single-lens reflex camera there’s a chance that a camera’s electro-statically charged image sensor will attract micro dust that can ruin photos. Since the main advantage of using an SLR camera is the ability to change lenses for better imaging effects, Olympus has developed a way for photographers to enjoy the freedom of using all the lenses of the Olympus E-System in the most challenging, dusty environments without compromising image quality.

Olympus’ Dust Reduction System produces spot-free photos with the exclusive Supersonic Wave Filter™, a patented ultrasonic technology that shakes at 35,000 vibrations a second to remove dust from in front of the camera sensor every time you turn the camera on. These spot-free photos liberate users from hours spent retouching photographs at the computer. The new EVOLT E-500, like all Olympus digital SLR cameras, is equipped with this exclusive user-friendly technology, and only Olympus has a solution to provide spot-free photography in a digital SLR.

Detailed, Bright and Colorful Photos with 8-Megapixel Image Sensor
The E-500 is loaded with an impressive 8 million pixels of detail, for bright colorful photos. The 8-megapixel sensor gives photographers the flexibility to blow up their prints to the large sizes supported by many of today’s printers, or crop into an image to print only part of the image that is important to them. Moreover, the image sensor in the EVOLT E-500 is a high-performance Full Frame Transfer KODAK KAF-8300CE CCD™ that delivers improved dynamic range, low noise to capture fine image details in the highlight and shadow areas, as well as excellent color fidelity for brilliant colors. Additionally the anti-blooming technology on each pixel and the exclusive Olympus TruePic TURBO Image Processor helps to eliminate undesirable “artifacts”, “stepping” or “jaggies”, “purple fringing” or “moiré” in an image.

TruePic TURBO™ for Clarity and Speed
Olympus’ TruePic TURBO Image Processor provides fast camera response, operation and processing speed for more responsive camera operation. This is done by closely integrating the image processor and hardware elements to eliminate unnecessary processing tasks, accelerating camera operations. For faster burst rates, the TruePic TURBO processor addresses the dedicated 64MB image buffer for up to 4 TIFF or RAW images at 2.5 frames-per-second, and unlimited burst mode with HQ JPEG images and extreme speed Compact Flash cards.

Along with the speed advantages, TruePic TURBO also produces crystal clear photos using all the pixel information for each image to provide you with the best digital images possible for every photo.

Large Easy-to-View 2.5-Inch HyperCyrstal™ LCD Monitor
Big and bright with 215,250 pixels, the E-500 has a 2.5-inch HyperCrystal LCD that offers many times the contrast of conventional LCD monitors, so captured images can be beautifully displayed in vivid color on the screen with exceptional clarity. Because photos are for sharing, the E-500 LCD features a wide, 160° viewing angle on the vertical and horizontal axis, ensuring excellent visibility and beautiful image quality even when everyone huddles around the camera to see what you’ve created. The larger LCD also means the icons and text on the camera’s menu display are enlarged for easier viewing.

The World’s Largest Selection of Digital Specific Lenses™
The versatility of the Olympus E-System comes from delivering the largest selection of “Designed-for-Digital” lenses –more than any other manufacturer to date. Olympus’ Zuiko Digital Specific Lenses™ come in a wide range of focal lengths for achieving the best image result, and impress with their spectacular clarity and edge-to-edge sharpness. Most other digital SLR cameras still use many traditional 35mm film lenses on digital bodies. But since those lenses are based on designs for film and not for pixels, they deliver insufficient light at the edges of a digital camera’s image sensor. This can result in reduced sharpness and color definition, particularly when shooting with large apertures and wide-angle lenses . The E-500 does not have this problem, because it accommodates the full line of interchangeable Zuiko Digital Lenses. These digital specific lenses are designed for digital capture with smart technology that allows the lenses to communicate with the camera to ensure the best possible image quality.

Olympus dedicated digital optics coupled with the EVOLT E-500 render sharpness and contrast more consistently at any given f-stop. The lenses are matched to the Four Thirds System standard image sensor for the optimal balance between image quality, camera and lens size, and expandability. With a wide array of digital specific lenses to choose from, it’s easy to select the ideal lens to bring along when you don’t want to lug a lot of heavy, bulky gear.

The E-500 outfit includes a compact, Zuiko Digital 14 – 45mm f3.5 – f5.6 Lens (equivalent to 28mm – 90mm in 35mm photography) that perfectly matches the imager so light strikes the sensor directly to ensure rich, accurate colors and edge-to-edge sharpness. Its 3.2x zoom covers the range most frequently used in ordinary photography and weighs just 10 ounces (285 grams) offering users an extremely dynamic, portable everyday-use zoom. Close-ups as near as 15 inches (38cm) are possible throughout the zoom range.

Easy-to-Use, Easy-to-Handle Light and Ergonomic Design
Creating an affordable digital SLR that most anyone can pick up and start to use is about making it easier to operate. That means menus that make sense and buttons on the body that are easy to understand and operate; adding automatic settings for every imaginable situation; making the LCD big and bright enough so you can review a shot without squinting; and making it less of a chore to get images out of the camera and into your computer or printer. Moreover, at just 5.09 inches (W) x 3.72 inches (H) x 2.59 inches (D) and only 15.3 ounces, the EVOLT E-500 is light and compact enough to comfortably shoot with all day.

You don’t need a degree in photography to shoot like a pro with the E-500. Just take it home, charge the Li-ion battery with the included charger, and begin taking photos. Instead of working to find the right settings for the subject, select from one of the camera’s 25 Exposure Modes (Easy, Basic and Creative) that make it easy to get the results you want, whenever and wherever you want them.

To access the Easy Modes, simply turn the mode dial on the top of the camera to “Scene” and choose from a range of 15 pre-programmed Scene Select modes to achieve the optimal results for: Night Scenes, Fireworks, Sunsets, Beach and Snow, Children, Landscape, and more.

Every Scene Select mode on the EVOLT E-500 provides a sample image and a description of what is happening to achieve the desired result. For example, choosing the Landscape setting reveals a sample of a landscape photo, and a text description of what the mode is displayed on the large, easy-to-read 2.5-inch LCD

To access Basic shooting modes that allow some user over-rides, just select one of the 5 icons on the mode dial (Landscape; Portrait; Night Scene-Portrait; Macro; and Action/Sports Modes).

The Creative Modes on the mode dial allow users to take control of the E-500 for the ultimate in artistic expression. For example, Aperture Priority, Shutter Priority and Manual Modes allow users to tweak all of the camera’s settings just the way they want for any situation at hand.

Direct Button operation enables EVOLT E-500 users to get to the settings they want without wading through endless menus or pushing arrow buttons excessively. Instead, most custom settings can be set by pressing one of the cameras 8 direct key buttons for White Balance, Exposure Compensation, ISO, Flash Mode, Metering Mode, Auto Focus Mode, Auto Focus Frame and Recording Mode, and then turning a dial by thumb to customize the setting as desired. All settings are viewable at once on the camera’s “Super Control Panel” displayed on the LCD.

Transferring images to the computer has never been easier with the Auto-Connect USB that does not require software drivers (for most computers/operating systems) for hassle-free image downloads. Images may also be viewed on a television using the video cable.

When it comes time to print images, the E-500 connects via the included USB cable for fast and easy PC-free printing, to any PictBridge-enabled printer via USB, like the new Olympus P-11 Digital Photo Printer. Simply select the images displayed on the camera’s LCD that you wish and print.

The Flexibility of the Most Feature Rich Camera in its Class
Once one feature is mastered, there are a seemingly endless number of other features just waiting to be explored. Because the E-500 is designed for the ultimate user-friendly experience, you can choose to let the camera make all the decisions, or take control for a new level of customization and performance. 5 Metering Modes: A new 49 Point Digital ESP Light Meter enables digital electro selective pattern metering for accurate exposures under the largest number of conditions. The Digital ESP can also be linked to the AF (auto focus) selection or independent of the AF selection for even more versatility. Olympus’ widely acclaimed proprietary Digital ESP metering calculates the best light values under complex lighting conditions. Center-weighted metering is biased to the center of the viewfinder (cross) area. Spot Meter (2%) enables the most accurate metering for tough lighting conditions like backlit or spot lit. Highlight Spot Meter (2%) adjusts for predominantly white subject for correct exposure with detail. Shadow Spot Meter (2%) adjusts for a black subject, providing the correct exposure with detail.

• 3 Color Modes: Vivid / Natural / Muted: Vivid mode produces photos with more highly saturated colors and higher contrast to optimize images when vivid shots are required. This is also the recommended setting when printing directly from the camera to an inkjet printer. The Natural mode produces realistic color similar to those seen by the human eye and is the perfect choice for the discerning photographer looking for the most realistic photos. The Muted mode is ideal for those users who plan to heavily manipulate or edit their images with the included OLYMPUS Master Software or with Adobe ® Photoshop™.
• A Choice of Two Color Space Settings: Users can choose from two color space settings according to their needs: sRGB, which is the standard for computer monitor viewing and inkjet printer output, and Adobe ® RGB, which is widely used for commercial applications.
• 9 Black & White Modes: Red, Yellow, Orange, and Green filters can be selected to replicate the same traditional film filters, enhancing the drama of the image in the Black & White shooting mode. In addition to Sepia tone, the EVOLT E-500 also offers users three tone effects: Blue, Green and Purple for special results.
• 2 Red-Eye Reduction modes, on Flash and in Playback: Besides the ability to select Red-Eye reduction mode on the flash prior to taking a shot, the EVOLT E-500 also offers the ability to correct for Red-Eye in images that have already been taken while the camera is in playback mode.
• Dual Card Slots: Users also benefit from two memory card slots – one for CompactFlash or Microdrive and another for xD-Picture Cards – which add to the camera’s practicality and provide extra data storage. Simply depress a button on the back of the camera to choose which card type to capture to and copy images back and forth from one card to the other in playback.
• Support for High-Speed and High-Capacity Memory Media : The EVOLT E-500 supports 32-bit file formatting allowing the use of 2 gigabyte and larger CompactFlash, Microdrive, and xD media™ cards. The EVOLT E-500 also supports high-speed CF cards for faster operation in the burst mode.
• AF: The E-500 dedicated auto focus system offers 3 selectable AF points for accurate auto focus operation. When automatic target zone selection is active, a superimposed display confirms the relevant target zone. Focus modes are set via a manual switch on the camera body for Single AF, Continuous AF, and Manual Focus operation. To ensure successful focusing in the darkest environments, the E-500 utilizes an AF illuminator built into the flash.
• Simultaneous RAW and JPEG Image Recording : A choice of three image formats is offered: RAW, TIFF, and JPEG. If desired, image data can be simultaneously recorded in RAW and JPEG with the RAW+JPEG format.
• Contrast, Sharpness and Tone Curve Controls : Contrast can be set to any of five levels, and sharpness can be set to any of seven levels. So whether users want pro-quality tonal fidelity or sharp vibrant colors, they can customize each image to suit their preference.
• White Balance : White balance settings from 3000K to 7000K can be set in 12 steps using button and dial controls, with ±7-step fine-tuning available for all settings. A one-touch white balance function allows users to store and retrieve up to four frequently used white balance settings at the touch of a button. By initially reading the light separately for the CCD, the camera can see a dramatic increase in speed without loss of accuracy.
• Noise Reduction : The noise reduction function uses a proprietary Olympus algorithm to detect and eliminate the fixed noise that can appear on long-exposure images.
• High-Precision Flash Control: The flash can be turned ON and OFF manually or with the AUTO FLASH option selected the flash will pop up automatically when ever it is needed. A wide range of flash modes is provided, including Auto, Red-Eye Reduction, Slow Synchro (front and rear curtain), and Fill-In.
• RGB Histogram Information Display: The EVOLT E-500 will display an individual histogram for each color channel (RGB) as well as the overall luminance of the exposure. This information is valuable to the more advanced user who may need to alter the exposure for specific output sources. A display that identifies overexposed highlights or underexposed shadow areas is also an option in image playback mode.
• Self-timer and Remote Control: The built-in self-timer offers a choice of 12-second or 2-second delay. An optional RM-1 remote control unit is available and can be used with the 2-second delay setting or for immediate shutter release, as well as to control “bulb” shutter openings for longer exposures.

Availability
The Olympus EVOLT E-500 Digital SLR will be available in October 2005. It includes: EVOLT E-500 Body with 14-45mm f3.5/5.6 Zuiko Digital Zoom Lens, USB Cable, Video Cable, Li-Ion Battery Pack (BLM-1), Li-Ion Battery Charger (BCM-2), Shoulder Strap, OLYMPUS Master Software CD-ROM, Manuals, Warranty card.

US Pricing
EVOLT E-500 with 14-45mm f3.5/5.6 Zuiko Digital Zoom Lens Estimated Street Price: $799.99

EVOLT E-500 TWO Lens Outfit; 14-45mm f3.5/5.6 and 40-150mm f3.5/4.5 Zuiko Digital Zoom Lens Estimated Street Price $899.99

Source.

Olympus E-500 Reviews

Steve’s Digicams reviews the Olympus E-500 and writes – ‘Most dSLR’s, even the professional ones, have a few gotchas. The most common and annoying problem is keeping the CCD imager clean. No matter how careful you are when changing lenses there’s always the chance of dirt or other contaminants getting onto the imager. You know you have this problem when you start seeing little dark spots in your photos, most noticeably in the large areas of blue sky in outdoor scenics at small apertures. Those of us that use these digital SLRs always keep a bulb blower handy to “blow” away most of those contaminants but it doesn’t always work. The Olympus E-500 has an ingenious feature it inherited from the E-1 and E-300 called a “Supersonic Wave Filter”; it vibrates dust particles off the image sensor every time you turn the camera on. While I didn’t purposefully deposit any dust onto the sensor during the test, I can say that the sensor remained remarkably free of dust during our test. The Olympus E-500 is a very capable amateur dSLR, offering terrific image quality, an extensive list of useful features and an automatic cure for a common dSLR annoyance – the dusty image sensor. The E-500 is also a terrific value; for under $900 you can get the E-500 with both the 14-45mm and 40-150 kit lenses, a package that covers an effective focal length range of 28-300mm. It competes well with other consumer dSLR’s and offers a compelling alternative to those considering high-end consumer digicams; while its optical viewfinder is small by dSLR standards, it’s quite an improvement over the Electronic Viewfinders found on prosumer models. The E-500’s Auto and Scene modes will produce high quality snapshots for beginners, while its advanced operating modes will satisfy the enthusiast photographer – it’s truly a camera the entire family can use. Please have a look at our sample images to see what the E-500 is capable of. ‘

Trusted Reviews also reviewed the Olympus E-500, and they wrote – ‘As usual with my SLR reviews I’ve run out of space before I’ve had a chance to talk about all of the camera’s features, such as the built-in ultrasound CCD cleaner, but I must quickly mention one or two minor problems. I’ve already mentioned the questionable build quality, and this is nowhere more noticeable than on the card and battery hatches. They are both very flimsy and could be a source of problems if roughly handled. The viewfinder is very small compared to other SLRs, and the information displayed beside it is poorly labelled and hard to read. Although there is an info button that displays shooting data on the main monitor, the lack of a separate data display is an annoyance. Just a display of the number of shots remaining would have been helpful.

Other than those points though, the E-500 is a great little camera, and the perfect choice for a first digital SLR for anyone thinking of taking the plunge.

Verdict

The E-500 should secure Olympus a place on the lucrative consumer D-SLR shelf alongside the Nikon D50, Canon EOS 350D and Pentax *ist DL. It is a very well designed camera, combining excellent picture quality, outstanding performance and lots of creative versatility, while still maintaining beginner-friendly simplicity and easy handling. It is a genuine pleasure to use, and produces superb results. If you’re looking for a good SLR for under £600 with a lens, then it should definitely be on your shortlist.’

Digital Photography Review also reviewed the Olympus E-500 and they wrote – ‘The E-500 delivered bright, well exposed and vivid images with good color and tonality (except for hard clipped highlights). I’m glad to report that the new metering system is a ’sea change’ compared to the E-300, not once was it fooled or delivered under or over-exposed images. Noise wise the E-500 does better than the E-300 but above ISO 400 it’s still not going to be able to challenge the Canon CMOS sensor used in the EOS 350D. From a detail point of view images were sharp and have a typical ‘Olympus’ appearance, maybe a little to consumer-like for my tastes. Highlights tended to be clipped rather harshly, edges were crisp and sharp although in some images this hard sharpening can lead to the appearance of halos. Thankfully sharpening can be turned down sufficiently to avoid this (or just use the Natural Picture Mode). There was the occasional ‘hint’ of moire in some images but it was never objectionable and was a good sign that (a) the lenses were delivering more than the required resolution and (b) the anti-alias filter is light enough to extract as much resolution as possible from the sensor.

The reviews seem a tad mixed on this one. On one hand, the image quality is superb, but on the other hand, the viewfinder is tiny, and performance is slow. I’m not sure the benefits outweigh the negatives in this case.

Check the best price on the Olympus E-500 Digital SLR.

Digital Camera Resource Page reviews the Sony Cybershot DSC-W50 and writes – ‘

The Sony Cyber-shot DSC-W50 is a stylish ultra-compact that takes very good quality photos in most situations. If you take long exposures or shoot under unusual lighting conditions it’s probably not for you, but for everyone else, it’s a winner.

The DSC-W50 is a thin metal camera with a 6 Megapixel CCD, 3X optical zoom lens, and 2.5″ LCD display. The camera is well put together for the most part, save for the doors covering the DC-in port and battery/memory card slots. The W50 is easy to use with just one hand, and its compact size allows it to go just about anywhere you do. The LCD display is big in size, though a bit of letdown in the resolution department. Low light visibility was above average, but not the best I’ve seen. Thankfully Sony included an optical viewfinder on the W50, which hardly any ultra-compacts have these days. In another positive move, there are plenty of accessories available for the camera, including conversion lenses and an underwater case.

The W50 is a 100% point-and-shoot camera, with zero manual controls. That’s too bad, since it could really use manual white balance and shutter speed controls, as my photo tests hopefully showed. You will find several scene modes on the camera, including a new high sensitivity mode that boosts the ISO as high as 1000, though I’d recommend not using it. The twilight mode is the only way to take long exposures on the camera, and the 2 second max shutter speed is not slow enough for most long exposures. The W50 has the same VGA movie mode as Sony’s other cameras.’

Let’s Go Digital reviews the Sony Cybershot DSC-W50 and writes – ‘Sony’s ultra-fast Real Imaging Processor circuit delivers quick start-up, fast shot-to-shot times, and long battery life – up to 400 shots on a single charge for the DSC-W50 model. It also speeds up the cameras’ sophisticated auto-exposure and multi-point, auto-focus features so that users get the picture right the first time. The Sony CyberShot DSC-W50 is equipped with 32MB of internal memory, which can be expanded further with an optional Memory Stick Duo media card or Memory Stick PRO Duo card, now offered in capacities up to two gigabytes. ‘

Steve’s Digicams recently reviewed the Sony Cyber-Shot DSC-W50 and had this to say – ‘The Sony Cyber-shot W50 is a good all-around performer. Weighing-in at just under 6 ounces (including battery and Memory Stick Duo), the W50 is both pocketable and stylish while still providing the optical viewfinder that its competitors frequently omit. With very good image quality, 6-megapixels of resolution, versatile sensitivity range, high-quality movies and an MSRP of under $250, the Sony DSC-W50 is a very good value. If you like the W50’s features and image quality but prefer to spend a bit less, consider the W30; it sports a smaller 2-inch LCD without brightness adjustment for about $20 less.’

The Sony Cybershot DSC-W50 really sounds like my kind of camera. With the beautiful brushed aluminum finish and small form factor, it’s small enough to make sure it goes everywhere. It’s also pretty much a point and shoot model. I’m not a big fan of playing with apertures and adjusting the flux capacitor. I like to point, click, and enjoy my high-quality pictures. Kudos to Sony – this one’s a hit.

Check the best prices on the Sony Cybershot DSC-W50.

Alright, so you’ve taken some fantastic photographs, and you’re ready to print them out. What can you do to make them even better? Why, work on the eyes of course. In most photos, the eyes stand out as the first thing you see – why not take out any imperfections, and bring them to life more? ePhotozine has a fantastic how-to guide on enhancing eyes. This guide shows you how to brighten up the whites, and even change the color of the iris! It’s a pretty neat guide; I’ll need to test it out when I have a chance. Go check it out and let me know what you think.

DesignTechnica reviews the new Sony Cyber-shot DSC-S600 and writes – ‘There’s no getting away from it—this mostly-plastic camera feels cheap and lightweight. Even when loaded with two AA alkalines and Memory Stick Duo card, it tips the scales at 6.4 ounces. It measures 4 x 2.1 x 1.5 (WHD, in inches). For portability that’s good but this is as far from a D-SLR “feel” as you can get. To show how far Sony has gone to compete on price, last year’s top S (for Stamina) Series camera, the now discontinued 4MP DSC-S90, cost $300 when introduced. A number of things had to go in order to hit the magic $200 plateau with the new 6MP digicam. First, the LCD monitor had to shrink from 2.5 inches (115K pixels) to an 85K pixel 2-incher. The S90 was supplied with rechargeable AAs with charger that lasted for 550 shots. The new camera comes with standard alkalines that last 160 clicks and no charger but if you buy rechargeable NiMH AAs, the figure moves to a much more respectable 440.’

Steve’s Digicams reviews the Sony Cyber-shot DSC-S600 and they write – ‘The Sony Cyber-shot DSC-S600 model offers features six-megapixel resolution and a precision Carl Zeiss Vario-Tessar lens with a 3x optical wide-angle (31 – 93 mm) zoom, which is much wider than other cameras in its class, so everyone is sure to be in the shot. The camera fits comfortably in your hand and has a large, two-inch LCD screen for easy viewing and image sharing. For only about $200, the S600 offers a combination of advanced features like sophisticated auto exposure and focus controls that work transparently behind the scenes for a seamless camera experience. Sony’s multi-pattern measuring function gauges incoming light by examining 49 points across the frame. With multi-point auto focus, the camera intelligently evaluates five different focus areas and selects the best focus setting for the subject instead of the background. ‘

CNET reviews the Sony Cyber-shot DSC-S600 and they write – ‘The Sony Cyber Shot DSC-S600’s performance ranged from good to mediocre. The DSC-S600 woke up, ready to shoot, in just 1.8 seconds and snapped off pictures every 1.3 seconds thereafter. The flash performed decently, requiring 1.8 seconds between shots. The burst mode captured 7 full-resolution frames at 1.5fps and could shoot 100 VGA pictures at about the same speed. Shutter lag was a satisfying 0.4 second under high-contrast lighting but slowed to an underwhelming 1.2 seconds under low-contrast lighting, even with the aid of the red autofocus-assist lamp. The LCD was usable under all illumination but direct sunlight and could brighten in low-light conditions.’

It sounds like Sony didn’t hit a homerun this time around.  I’m usually a huge fan of Sony products, but the so-so reviews would make me think twice before dropping 2 bills on this digital camera.   DesignTechnica was definately not a fan of the build quality in this model – something I think Sony usually does very very well.  Although for only $200 or so, I guess you can’t expect the world, can you?
Check the best price on the Sony Cyber-shot DSC-S600!

Canon Powershot SD30 Reviews

The Imaging Resource reviews the Canon Powershot SD30 and writes – ‘The Canon ELPH series of digicams continues to be a popular option for many consumers, given its tiny size and reputation for great build and image quality. Although exposure control is mainly automatic, the availability of exposure times as long as 15 seconds and adjustable ISO on the PowerShot SD30 increases the camera’s exposure versatility a great deal. The uncomplicated user interface and smooth styling helps novices and more advanced amateurs alike feel at home, with enough control over the exposure to make both happy. The Canon SD30 makes a great “all around” camera for anyone, and would make a good “second camera” for enthusiasts for those times when they don’t want to lug along their full-size all-the-bells-and-whistles camera. All considered, the PowerShot SD30 is one of the better subcompact digital cameras currently on the market.’

Steve’s Digicams also reviews the Canon Powershot SD30, and here’s what they have to say – ‘The SD30 is a robust performer thanks to its Digic II processor. Power up to first image captured measured approx. 2.6 seconds. Shutter lag, the delay between pressing the shutter release and capturing the image, measured 1/10 of a second when pre- focused and 2/10 second including autofocus. When shooting rapid sequences in single exposure mode, the shot to shot delay averaged about 1.5 seconds without using the flash and just 3 to 5 seconds with the flash, depending on subject distance. The SD30 does offer a continuous or “burst” mode, using this I was able to capture 10 frames in only 4.7 seconds!’

Megapixel.net reviews the Canon Powershot SD30 – here’s their take – ‘Elegant and beautifully crafted, the PowerShot SD30 appears at a glance to be a classy simple camera, an impression that stems from the fact that it has few external controls. Yet the reality is that the SD30 is a surprisingly capable camera, but that most of the modes and controls provided are contained within its various menus, making it more complex to use that it would appear if its functions and capabilities are going to be fully utilized.’

Digital Camera Resource Page reviews the Canon Powershot SD30 and writes – ‘The SD30’s photo quality is good in most respects. Outdoors it takes smooth-looking photos with accurate color and low noise levels. Corner softness i was an issue in some of my real world photos. Indoors you’ll be disappointed with the camera’s weak flash and high redeye, which is why this camera is best suited to the outdoors. Noise levels in long exposures were a bit higher than I would’ve liked. Also disappointing was the camera’s movie mode, which isn’t nearly as good as those on the other cameras in the SD series.
A few other minor quibbles: the camera’s battery life is okay, but the competition seems to be pulling away. Also, the included 16MB card is very small for a 5 Megapixel camera.’

An attractive, functional little camera that comes in a variety of colors, the Canon Powershot SD30 has some potential to be successful. Canon continues to produce competitive cameras in a great form factor.

Check the best price on the Canon Powershot SD30!

While the basic design is finally functional, I have a lot of work to do before Digital Camera Reviews will be reborn.  I need to work out a color scheme, as well as a new logo for the header.  Of course, I also need to import the archives from Blogger, reformat them, re-upload all the pictures.. etc etc.  Not to mention I need to install all kinds of plugins, and tag all the old archives.  Sheesh this is not going to be an easy project.
Once everything’s finished up though, I’ll make some sort of wordly announcement, so that everyone can come and see the splendour that is Green Llama’s Digital Camera Reviews.